Born in Los Angeles, California. 

 

EDUCATION

PhD, Harvard University, Film and Visual Studies and Critical Media Practice, Cambridge, MA, 2019 (expected) 

MFA, University of California Los Angeles, Department of Art, Interdisciplinary Studio Area, Los Angeles, CA, 2018 (expected)

Maîtrise, University of Paris-III (Sorbonne Nouvelle), Etudes Cinématographiques, Paris, France, 2005

BA, Harvard University, Cambridge, MA, 2004

 

SOLO EXHIBITIONS

2017 Broken Ground, Angels Gate Cultural Center, San Pedro, CA. In collaboration with Alejandro Dobie-Gonzalez, Armin Fardis, and Matt H. Mayes.

 

SELECTED GROUP EXHIBITIONS

 

2016  re: development, Fort Point Art Community and Atlantic Wharf Gallery, Boston, Massachusetts

2014  Living As Form, Carpenter Center for Visual Arts, Harvard University, Cambridge, MA

2014  History Design Studio, Hutchins Center for African and African American Research, Harvard University, Cambridge, MA

2013  New York Art Book Fair (with Red76)

2012  Spontaneous Interventions, U.S. Pavilion of the 13th Venice Architecture Biennial

2011-14 The Imaginary Archive, Galway, Ireland and Kyiv, Ukraine

2012  Chiasmus: Zones of Aesthetic and Political Imagination, University of California Irvine, Claire Trevor School of The Arts, Irvine, CA

2011  Experience Economies 4: Chamber Play, Cambridge, MA

2011 No Comment, J.P. Morgan Building, New York, NY

2010 New York City Electroacoustic Music Festival, Issue Project Room, New York, NY (with James Borchers)

 

TALKS, PRESENTATIONS, WORKSHOPS

Open Engagement, Queens Museum

Wesleyan University, Department of Art History

UCLA, Department of Art

BYO, Harvard University, Department of Visual and Environmental Studies

MIT, Program in Art, Culture and Technology

American University in Paris, Department of Communications

The Little House Gallery, Venice CA

 

WRITINGS, PUBLICATIONS

"Civil Resistance and Its Discontents," e-flux conversations, March 7, 2017

"Reconsidering the Aesthetics of Liberalism," e-flux conversations, Jan. 18, 2017

“Godard’s Remote Control,” in A Companion to Godard, ed. Tom Conley and T. Jefferson Kline, Wiley-Blackwell, 2013

“No One’s Home: la bureaucratie néolibéral et la force du langage,in La Bureaucratisation du monde, ed. Béatrice Hibou, Editions La Découverte, 2013.

Trans. Nancy, Jean-Luc, “Jacques Ranciere and Metaphysics,” in Jacques Rancière: History, Politics, Aesthetics, ed. Gabriel Rockhill and Phil Watts, Duke University Press, 2009.

“De la subjectivité à l’âge de la radio: Godard et ses acteurs: 2 ou 3 choses que je sais d’elle,” trans. Jacques Aumont, Cinéma 014, Ed. Léo Scheer. Autumn, 2007, 32-50.

Trans. Hibou, Béatrice. “Domination and Control in Tunisia: Economic Levers for the Exercise of Authoritarian Power,” Review of African Political Economy, 108, June, 2006, 185-206.

Trans. Lazzarato, Maurizio. “The Political Form of Coordination,” Multitudes 17, Summer 2004.

 

AWARDS, FELLOWSHIPS

John Baldessari Family Foundation Scholarship, UCLA

Department of Art Scholarship, UCLA

Resnick Family Fellowship, UCLA

Elaine Krown Klein Award, UCLA

Derek Bok Center Award, Harvard University

Weatherhead Center for International Affairs Fellow, Harvard University

History Design Studio Fellow, W.E.B. DuBois Institute, Harvard University

Harvard GSAS Merit/Term-Time Fellowship

David Rockefeller Center for Latin American Studies, Harvard University

Presidential Public Service Fellow, Harvard University

Film Studies Center Fellow, Harvard University

GSAS Pre-dissertation fellowship, Harvard University

Office for the Arts Grant, Harvard University

 Ecole Normale Supérieure Exchange Fellowship, Harvard University

LeBaron Russell Briggs Thesis Prize, Harvard University

 

CURATORIAL WORK

Jesse Aron Green: Ärztliche Zimmergymnastik, Harvard Art Museums, 2015

What Is To Be Undone? Fernanda Fragateiro, Renée Green, Ahmet Ögüt, Raqs Media Collective, Harvard Art Museums, 2015

 

LECTURESHIPS 

Adjunct Lecturer, New York University in Paris, France

Adjunct Lecturer, Wells College, Paris, France

Adjunct Lecturer, Institute for European Studies, Paris, France

 

TEACHING ASSISTANTSHIPS

UCLA Art 180/280 Psychoanalysis and Feminism, Mary Kelly

UCLA Art 31A, Art 31C: Modernism,  Sami Siegelbaum 

UCLA Art History 23: Modern Art History, George Baker 

UCLA Arts & Architecture 10: Arts Encounters, David Gere and Meryl Friedman

Harvard VES 96r: Directed Research, Stephen Prina

Harvard VES 80: Loitering, Stephen Prina

Harvard VES 83: The Devil, Probably x 10 + 1, Stephen Prina

Harvard VES 87: The Lay of The Land, Stephen Prina

Harvard VES 192: Cinema and Auteur, Tom Conley

Harvard VES 70: The Art of Film, Rebecca Sheehan

Harvard African and African American Studies 121: The Films of Spike Lee, Bidoun Jeyifo