Born in Los Angeles, California. 

 

EDUCATION

ABD PhD, Harvard University, Film and Visual Studies and Critical Media Practice, Cambridge, MA

2018 MFA, University of California Los Angeles, Department of Art, Interdisciplinary Studio, Los Angeles, CA

2018 Skowhegan School of Painting and Sculpture, Madison, ME

2005 Maîtrise, University of Paris-III Sorbonne Nouvelle, Etudes Cinématographiques, Paris, France

2005 Diplôme de l’école, Ecole Normale Supérieure, rue d’Ulm, Paris, France

2004 BA, Harvard College, Cambridge, MA

 

SOLO AND TWO-PERSON EXHIBITIONS

2018 broke down re source, Los Angeles Contemporary Archive, Los Angeles, CA

2017 Broken Ground, Angels Gate Cultural Center, San Pedro, CA

 

GROUP EXHIBITIONS

2018 Every Unlikely Story, Human Resources, Los Angeles, CA

2018 UCLA MFA Thesis Show #4, New Wight Gallery, Broad Art Center, Los Angeles, CA

2017 UCLA Thesis Preview Show, New Wight Gallery, Broad Art Center, Los Angeles, CA

2016  Re:development, Fort Point Art Community and Atlantic Wharf Gallery, Boston, MA

2014  Living As Form, Carpenter Center for Visual Arts, Harvard University, Cambridge, MA

2014  Hutchins Center for African and African American Research, Harvard University, Cambridge, MA

2014 Open Engagement, Queens Museum, Queens, NY

2014 Reclaim Environment, Human Resources, Los Angeles, CA

2013  New York Art Book Fair (with Red76), New York, NY

2012  Spontaneous Interventions, U.S. Pavilion of the 13th Venice Architecture Biennial, Venice, Italy

2011-14 The Imaginary Archive, Galway, Ireland and Kyiv, Ukraine

2012  Chiasmus: Zones of Aesthetic and Political Imagination, University of California Irvine, Claire Trevor School of The Arts, Irvine, CA

2011  Experience Economies 4: Chamber Play, Cambridge, MA

2011 No Comment, J.P. Morgan Building, New York, NY

2010 Cambridge Talks IV: Design Politics, Harvard Graduate School of Design, Cambridge, MA

2010 New York City Electroacoustic Music Festival, Issue Project Room, New York, NY (with James Borchers)

  

PUBLICATIONS

"Civil Resistance and Its Discontents," e-flux conversations, March 7, 2017

"Reconsidering the Aesthetics of Liberalism," e-flux conversations, Jan. 18, 2017

“Godard’s Remote Control,” in A Companion to Godard, ed. Tom Conley and T. Jefferson Kline, Wiley-Blackwell, 2013

“No One’s Home: la bureaucratie néolibéral et la force du langage,in La Bureaucratisation du monde, ed. Béatrice Hibou, Editions La Découverte, 2013.

Trans. Nancy, Jean-Luc, “Jacques Ranciere and Metaphysics,” in Jacques Rancière: History, Politics, Aesthetics, ed. Gabriel Rockhill and Phil Watts, Duke University Press, 2009.

“De la subjectivité à l’âge de la radio: Godard et ses acteurs: 2 ou 3 choses que je sais d’elle,” trans. Jacques Aumont, Cinéma 014, Ed. Léo Scheer. Autumn, 2007, 32-50.

Trans. Hibou, Béatrice. “Domination and Control in Tunisia: Economic Levers for the Exercise of Authoritarian Power,” Review of African Political Economy, 108, June, 2006, 185-206

“The Fugitive,” Boston Review, April/May, 2004

Trans. Lazzarato, Maurizio. “The Political Form of Coordination,” Multitudes 17, Summer 2004

TALKS, PRESENTATIONS, WORKSHOPS

UCLA, Department of Art

Open Engagement, Queens Museum

Wesleyan University, Department of Art History

BYO, Harvard University, Department of Visual and Environmental Studies

MIT, Program in Art, Culture and Technology

American University in Paris

 BIBLIOGRAPHY

“Best of 2017,” Hyperallergic, Dec. 20, 2017

“The Contemporary Oddities of the Los Angeles Contemporary Archive,” Michael Valinsky, Hyperallergic, Jan. 6, 2018

“Chinatown Hopscotch,” Moj Mehr-Assa, Artillery Mag, Dec. 14, 2017

“Light Projection Aims to Remind Trump His Tower Was Built by Undocumented Workers,” Carey Dunne, Hyperallergic, Sept. 20, 2016

“Artists and Activists Trace Boston’s Historic Red Line on the Streets,” Haley ED Houseman, Hyperallergic, Sept. 22, 2015

“Occupying Empty Houses and Airwaves To Fight Foreclosures in Boston,” Interview with Marisa Mazria Katz, Creative Time Reports, July 1, 2014

“Housing Activists Plan Pirate Radio Broadcast From Occupied Dorchester Duplex,” David Goodman, Open Media Boston, June 6, 2014

“What We Talk About When We Talk About Social Practice Art,” Anya Ventura, Big Red & Shiny, April 10, 2014

“Toying With Our Tendency To Trust Photographs,” Cate McQuaid, The Boston Globe, Feb. 25, 2014

“Protesters Send Digitized Memo to Bank,” Geoff Edgers, The Boston Globe, May 5, 2012

“Art Installation Protests Eviction,” Rebecca Oliveira, Jamaica Plain Gazette, August 17, 2012

“Home Theater,” Mikhail Zinshteyn, The American Prospect, April 23, 2010.

“72 Hours,” Groundswell Journal, Half Letter Press, 2010

“Fighting Foreclosure, One Home at a Time: Shadow Cinema,” Chris Faraone, The Boston Phoenix, April 7, 2010

“Angst vor der Deutschen Bank,” Heike Slansky, WISO News Magazine, Zweites Deutsches Fernsehen, Germany, March 22, 2010

“Putting a Spotlight on the Families of Foreclosure,” John Leland, The New York Times, March 21, 2010

“Art Meets Activism at Dorchester Foreclosure Protest,” Sandra Larson, The Bay State Banner, March 18, 2010          

FELLOWSHIPS, GRANTS, AWARDS

Rema Hort Mann Emerging Artist Grant Nominee

John Baldessari Family Foundation Scholarship

Department of Art Scholarship, UCLA

Resnick Family Fellowship

Elaine Krown Klein Award

Derek Bok Center Award, Harvard University

Weatherhead Center for International Affairs Fellow, Harvard University

History Design Studio Fellow, W.E.B. DuBois Institute, Harvard University

Harvard GSAS Merit/Term-Time Fellowship

David Rockefeller Center for Latin American Studies, Harvard University

Presidential Public Service Fellow, Harvard University

Film Studies Center Fellow, Harvard University

GSAS Pre-dissertation fellowship, Harvard University

Office for the Arts Grant, Harvard University

 Ecole Normale Supérieure Exchange Fellowship, Harvard University

LeBaron Russell Briggs Thesis Prize, Harvard University

 

CURATORIAL AND PROGRAMMING

What Is To Be Undone? Fernanda Fragateiro, Renée Green, Ahmet Ögüt, Raqs Media Collective, Harvard Art Museums, 2015

Jesse Aron Green: Ärztliche Zimmergymnastik, Harvard Art Museums, 2015

Department of Public Imagination, Design Studio for Social Intervention, 2013

 

LECTURESHIPS 

Adjunct Lecturer, New York University in Paris, France

Adjunct Lecturer, Wells College, Paris, France

Adjunct Lecturer, Institute for European Studies, Paris, France

 

TEACHING ASSISTANTSHIPS

UCLA Art 495 TA Training Practicum

UCLA Art 180/280 Psychoanalysis and Feminism, Mary Kelly

UCLA Art 31A, Art 31C: Modernism,  Sami Siegelbaum 

UCLA Art History 23: Modern Art History, George Baker 

UCLA Arts & Architecture 10: Arts Encounters, David Gere and Meryl Friedman

Harvard VES 96r: Directed Research, Stephen Prina

Harvard VES 80: Loitering, Stephen Prina

Harvard VES 83: The Devil, Probably x 10 + 1, Stephen Prina

Harvard VES 87: The Lay of The Land, Stephen Prina

Harvard VES 192: Cinema and Auteur, Tom Conley

Harvard VES 70: The Art of Film, Rebecca Sheehan

Harvard African and African American Studies 121: The Films of Spike Lee, Bidoun Jeyifo